| Andrew L. Urban:
For all our efforts to keep the synopsis vague,
you will no doubt pick up more of the plot details
elsewhere. Don't. This is an infuriatingly difficult
film to review, because to provide a reasoned window
to it, a reviewer has to reveal elements that are
really best revealed as you watch the film, developing
your own micro-responses to each scene, and drawing
your own conclusions. I'll do my best to avoid spoilers
and start with commending the film's cinematic virtues,
from Alun Bollinger's wonderful cinematography to
the terrific soundtrack (and Plan 9's great original
work), through the production and costume design.
The wild South Island settings in New Zealand are
a sure fire travel winner too, but note that this
was shot in the relatively benign months of the
year. Performances are, as expected, outstanding;
Sam Neill really nails his character as the 'perfect
stranger' - especially in the one short but crucial
scene where he has to make us believe he can be
irrational, perhaps psychotically injured. Rachael
Blake is sensational in a difficult, complex role
- she's really the one who's been damaged. The excellent
mise en scene and the story's narrow focus on the
two central characters combine to give Perfect Strangers
extra edge.
Reminiscent at first of themes explored in The Collector
(1965), Perfect Strangers changes gears to become
a psycho-thriller and then again to a fully fledged,
psyched out fantasy. You have to be patient with
this film until the very end to unlock its secret.
On the way, it upends the romantic notion of being
whisked off by the perfect stranger. Until then,
I found myself a trifle irritated by a few small
things: cinematic simplifications (cutting away
to not reveal how it's done) of things like a woman
manoeuvring a man's inert body, or the after effects
of certain acts of violence. It is only in the final
scene that these apparent oversights fall into place
as the subtle hints to the filmmaker's subtle intentions.
It'll be hard to market, but it's a sure conversation
starter. And one thing is undeniable: it is the
work of a genuine filmmaking talent, who has something
important to say.
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